"
BERLIN IN LONDON.
Londoners who wish to spend an hour in a German brasserie will have no occasion to go to the Fatherland; for the palatial restaurant and hotel, which has been opened this week by Messrs Baker and Co., in Leicester-square, will, no doubt, be one of the great attractions and novelties of the metropolis. The new Grand Hotel and Brasserie de l'Europe offers to the public a combination of the cafe-restaurant and the beer-hall on the same lines as the brasserie which Parisians and Germans so much admire.
In the basement is a large lager beer hall, where, together with the finest brews from Munich, a number of German dishes and "delicatessen" will be served. The beers come from the vats of the famous Pschorr Brauerei at Munich and from the Burgerliches Brauhaus Pilsen. On the ground floor is the grand cafe, which both in appearance and in style will be found quite continental, while above is the Italian room, which it is intended to use as an a la carte restaurant.
This last achievement of the well-known architect, Mr Walter Emden, is the best thing he has ever done. The elevation show a freely-treated design in granite, with pilasters of green, while the upper portions of the structure is in terra-cotta. A noticeable feature will be found in the projecting corners, surmounted with turrets, which are covered with gilt copper - an effect quite new to London. The ornamental portions of the terracotta are picked out in gold, and the granite pilasters are finished with bronze sags and ornaments. From basement to roof the building is of fireproof construction, but an additional precaution has been taken by the erection of an outside staircase from the top floors. The lager-beer hall in the basement is decorated in Alhambra style, the walls being fanelled out and filled in with mirrors, while the dado is of marble. The grand cafe on the ground floor is elaborately decorated in the style of the German Renaissance, the panels of the walls being filled in both with mirrors and with pictures representing events famous in German history. In this room a striking effect is obtained by hanging from the beams and columns festoons of leaves and flowers in repousse copper, the fruit on these imposing garlands being represented by electric lamps. Generally speaking the colouring of the decorations is similar to that of a German cafe. gold being largely used in the ornamental portions. On the first floor is the Italian Renaissance room, which will be used as an a la carte restaurant. The panels on the walls are filled in alternately with silk and mirrors, and the general colouring is ivory white and gold. Columns and pilasters of Pavonazze marble and a dado of American maple are also features in the decoration of this apartment. A reception room in the Louis XVI. style adjoins the Italian Renaissance room. In the upper portion of the building are the sitting rooms and bedrooms of the hotel. These are all decorated and furnished in the most complete and modern manner. The main entrance of the hotel is in Leicester-place, and both the entrance hall and staircase are decorated in the style of the German Renaissance. Pictures illustrative of familiar German legends here play an important part in the architect's scheme. The hotel, which will be open this evening for business, is equipped with an elaborate lift, while the electric lighting and the sanitary arrangements are planned upon the most approved principles. The place bids fair to be as popular as the Taverne Pousset, on the Boulevard des Italiens, Paris. "
The Era - Saturday 23 September 1899, page 18.
"Mr Emden's early commissions in theatrical work were to reconstruct the Globe, to alter the St. James's and the Royalty, and to build the Court Theatre - which in the meantime he has rebuilt. In 1872 Mr Emden was appointed architect to the Dublin Exhibition. He designed an opera house for Rome, which was not built, the Italian Government eventually declining the expenditure; but incidentally acquired a most useful experience of Italian styles. Terry's Theatre was a notable achievement of Mr Emden's - Mr Charles Wilmot, who was the original owner, committing himself unreservedly to the architect's ideas as to a fireproof structure, as Terry's Theatre undoubtedly is. Mr Emden was, by the way, one of the judges of the first firemen's exhibition. The original plans for the Garrick, the Trafalgar-square, and the Tivoli were Mr Emden's work; and he reconstructed the English Opera House, which we now know as the Palace Theatre. Mr Emden has also done a great deal of work in the provinces."
The Era, 6th of November 1897.
So there you go. Dead famous. Emden died in 1913. The building still stands on Leicester square, though it's no longer a hotel.