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29-08-2017, 13:17
Visit The Pub Curmudgeon site (http://pubcurmudgeon.blogspot.com/2017/08/disappearing-into-ether.html)
https://3.bp.blogspot.com/-iP0hVVB_qto/WaVOU6S4_7I/AAAAAAAAF3Q/y2mgCZfuOEIxoWx3HP7W02qCEgMviR1ZQCLcBGAs/s200/Whats%2BBrewing.jpg (https://3.bp.blogspot.com/-iP0hVVB_qto/WaVOU6S4_7I/AAAAAAAAF3Q/y2mgCZfuOEIxoWx3HP7W02qCEgMviR1ZQCLcBGAs/s1600/Whats%2BBrewing.jpg)
As an emergency cost-saving measure following some disappointing financial figures, CAMRA have announced that they are not going to send out hard copies of their monthly newspaper What’s Brewing for October and December to members for whom they hold an e-mail address. Not surprisingly, this has reignited the debate about whether such print publications should be phased out in favour of electronic communication. There is a group of “digital zealots” who see printed newspapers and magazines as a relic of the past that should be consigned to history without delay. But, in reality, things are by no means so clear-cut.
For a start, there’s still a substantial number of mainly older people who make no use of the Internet whatsoever, something that is particularly relevant to CAMRA with its ageing membership profile. You can’t simply cut them off and consign them to oblivion. And many others, while they may have an Internet connection and e-mail address, in practice make very little use of it and can’t really be regarded as digitally literate. Sometimes I’ve said in conversation “it’s been all over the Internet”, only for people to reply “sorry, never seen it”. My local CAMRA branch has over 1,500 members, but less than 250 of them have signed up to its e-mail newsgroup, which is about the most basic form of digital engagement imaginable. I’ve read that many people, while regular Internet users, in practice only visit about ten different websites.
People also consume digital and print media in different ways – online, you will tend to head directly for the particular item that interests you, whereas with a physical magazine you are more likely to browse it randomly and find things by chance. For example, I regularly flick through the pages of a newspaper or magazine while eating my breakfast, which I wouldn’t really do with a tablet. This is why a digital facsimile of a print publication is the worst of both worlds, as it fails to reflect the way people digest digital information. Many people who might pick up a copy of What’s Brewing if it’s lying about and read the odd article will never even open the digital one. An effective online publication depends on the constant updating of information and stories, whereas a print one is a snapshot taken at a point in time.
There is still a strong attachment to printed publications, show by the fact that sales of printed books have begun to regain ground against their electronic equivalents. While newspapers continue to record declines in circulation, the print version of the Spectator magazine has recently seen record sales in its 189-year history (https://blogs.spectator.co.uk/2017/02/spectator-spectacular-overall-sales-189-year-high-print-growing-fastest-rate-since-1989/). A printed book or magazine is an attractive artefact in its own right in a way that a webpage displayed on a screen will never be, especially if it contains illustrations and diagrams rather than just words. And, for many members of organisations of various kinds, not just CAMRA, receiving the official magazine is often the only tangible contact they ever have with it. In a sense, it makes your subs seem just that little bit more worthwhile.
Nowadays, if you have Internet access, you’re unlikely to look at print newspapers or magazines for hard facts such as sports or election results. But the same is not true of comment, analysis and reviews, which often benefit from the more contemplative approach that a physical publication encourages. And you also have to consider how people actually come across the information in the first place. It might make sense for a CAMRA branch to communicate information about meetings to its members electronically. But if it produces a magazine for public consumption, it depends on people picking it up by chance in pubs. If it was converted to a purely digital format, scarcely anyone would read it, and certainly no-one would pay to advertise in it.
It may be that, in the fullness of time, the hard information contained in a publication such as What’s Brewing will entirely migrate online. But it’s essential to proceed very cautiously to avoid alienating people and losing their support. And it’s difficult to say that the more reflective and analytical pieces should be treated the same way, as otherwise they may simply disappear into the ether.
One of the most entertaining features of What’s Brewing is the letters page, where you often see opinions expressed that never seem to be aired in online media. Just a thought, but maybe CAMRA could consider setting up an online forum where these topics could be discussed more fully...
More... (http://pubcurmudgeon.blogspot.com/2017/08/disappearing-into-ether.html)
https://3.bp.blogspot.com/-iP0hVVB_qto/WaVOU6S4_7I/AAAAAAAAF3Q/y2mgCZfuOEIxoWx3HP7W02qCEgMviR1ZQCLcBGAs/s200/Whats%2BBrewing.jpg (https://3.bp.blogspot.com/-iP0hVVB_qto/WaVOU6S4_7I/AAAAAAAAF3Q/y2mgCZfuOEIxoWx3HP7W02qCEgMviR1ZQCLcBGAs/s1600/Whats%2BBrewing.jpg)
As an emergency cost-saving measure following some disappointing financial figures, CAMRA have announced that they are not going to send out hard copies of their monthly newspaper What’s Brewing for October and December to members for whom they hold an e-mail address. Not surprisingly, this has reignited the debate about whether such print publications should be phased out in favour of electronic communication. There is a group of “digital zealots” who see printed newspapers and magazines as a relic of the past that should be consigned to history without delay. But, in reality, things are by no means so clear-cut.
For a start, there’s still a substantial number of mainly older people who make no use of the Internet whatsoever, something that is particularly relevant to CAMRA with its ageing membership profile. You can’t simply cut them off and consign them to oblivion. And many others, while they may have an Internet connection and e-mail address, in practice make very little use of it and can’t really be regarded as digitally literate. Sometimes I’ve said in conversation “it’s been all over the Internet”, only for people to reply “sorry, never seen it”. My local CAMRA branch has over 1,500 members, but less than 250 of them have signed up to its e-mail newsgroup, which is about the most basic form of digital engagement imaginable. I’ve read that many people, while regular Internet users, in practice only visit about ten different websites.
People also consume digital and print media in different ways – online, you will tend to head directly for the particular item that interests you, whereas with a physical magazine you are more likely to browse it randomly and find things by chance. For example, I regularly flick through the pages of a newspaper or magazine while eating my breakfast, which I wouldn’t really do with a tablet. This is why a digital facsimile of a print publication is the worst of both worlds, as it fails to reflect the way people digest digital information. Many people who might pick up a copy of What’s Brewing if it’s lying about and read the odd article will never even open the digital one. An effective online publication depends on the constant updating of information and stories, whereas a print one is a snapshot taken at a point in time.
There is still a strong attachment to printed publications, show by the fact that sales of printed books have begun to regain ground against their electronic equivalents. While newspapers continue to record declines in circulation, the print version of the Spectator magazine has recently seen record sales in its 189-year history (https://blogs.spectator.co.uk/2017/02/spectator-spectacular-overall-sales-189-year-high-print-growing-fastest-rate-since-1989/). A printed book or magazine is an attractive artefact in its own right in a way that a webpage displayed on a screen will never be, especially if it contains illustrations and diagrams rather than just words. And, for many members of organisations of various kinds, not just CAMRA, receiving the official magazine is often the only tangible contact they ever have with it. In a sense, it makes your subs seem just that little bit more worthwhile.
Nowadays, if you have Internet access, you’re unlikely to look at print newspapers or magazines for hard facts such as sports or election results. But the same is not true of comment, analysis and reviews, which often benefit from the more contemplative approach that a physical publication encourages. And you also have to consider how people actually come across the information in the first place. It might make sense for a CAMRA branch to communicate information about meetings to its members electronically. But if it produces a magazine for public consumption, it depends on people picking it up by chance in pubs. If it was converted to a purely digital format, scarcely anyone would read it, and certainly no-one would pay to advertise in it.
It may be that, in the fullness of time, the hard information contained in a publication such as What’s Brewing will entirely migrate online. But it’s essential to proceed very cautiously to avoid alienating people and losing their support. And it’s difficult to say that the more reflective and analytical pieces should be treated the same way, as otherwise they may simply disappear into the ether.
One of the most entertaining features of What’s Brewing is the letters page, where you often see opinions expressed that never seem to be aired in online media. Just a thought, but maybe CAMRA could consider setting up an online forum where these topics could be discussed more fully...
More... (http://pubcurmudgeon.blogspot.com/2017/08/disappearing-into-ether.html)